Urban Photography Summer School 2012

Designed for photographers, artists and urbanists whose work addresses notions of urban space and culture the international Summer School provides a highly intensive two week practical and theoretical training in key aspects of urban visual practice. The course aims to offer participants a wide range of relevant skills resulting in the production of a photography portfolio drawn from London’s urban environments combined with a collective final exhibition.
The programme has been developed in collaboration with Urban Encounters and the Centre for Urban and Community Research (CUCR). The course will be taught by tutors from Goldsmith’s Sociology Department and the international MA in Photography and Urban Cultures. The programme draws on the advanced theoretical, research and practical image-making specialisms of key practitioners in the field. Summer School tutors include: Paul Halliday (MA in Photography and Urban Cultures Convener), Beatriz Véliz Argueta (Coordinator/Goldsmiths), Les Back (Goldsmiths), Caroline Knowles (CUCR Director), Mandy Lee Jandrell (Goldsmiths), Peter Coles (Oxford/ Goldsmiths), Alex Rhys-Taylor (Goldsmiths), Manuel Vazquez (Goldsmiths), Michael Wayne Plant (Goldsmiths), Laura Cuch (Goldsmiths) and Jasmine Cheng (Goldsmiths).

The programme will explore how the practice of urban image making informs the development of a reflexive and critical research perspective and will include assignments and guided fieldtrips focusing on (1) urban landscape, (2) street photography and (3) material objects.

Application deadline: June 3rd, 2011
For more information: www.gold.ac.uk/cucr/summer%20school/

Canivaux

The French word <canivaux> means the gutter. In Paris, every day, street sweepers (wielding lurid green plastic versions of the witch’s ‘besom’ broom)  block off the gutters near to drains using carefully crafted mini dams made of rolled up carpet tied with string. They turn on the water from a hydrant further up the street and let the water sluice all the trash down towards the ‘dam’. They then turn off the water and scoop up the rubbish into their carts. I began photographing first the exotic rolled up carpet-dams, then the content of the gutters themselves. The ‘odd one out’ in this series is the pink ball, washed up on a beach in Thailand… This was the image that started me thinking of photographing  found (or abandoned) objects in the streets of Paris – unexpected objects out of their original context.  The series is part of my work on abandoned objects in Paris, called Paris Traces.