Shepherd’s Purse

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Shepherd’s Purse (Capsella bursa-pastoris) is flowering now in the cracks between paving stones and alongside garden walls in my suburbia. It’s the little seed pods though, not the flowers, that have endeared them to me since childhood in more rural Buckinghamshire. A little plant with dozens of hearts on stalks. But the plant gets its Latin and common English name from the resemblance of these seed pods to the purses that hung from the belts of peasants in the Middle Ages. The French name is Bourse-à-pasteur, which also means a shepherd’s purse. And when the pod is ripe, it splits open and little seeds spill out, like coins. The Dutch painter, Pieter Breugel, included one in his The Peasant Dance, painted around 1567.

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In his inspiring book, Weeds, Richard Mabey points out that the seeds are covered with a kind of gum, which, when moist, helps them to stick to the feet of birds, increasing their chances of dispersal. Also, according to Mabey, the resemblance of the seed pods to bladders meant that they were once thought to be an effective cure for urinary disorders – following the theory of plant ‘signatures’ put forward by the 17th-century Oxford botanist, William Coles.

In Flitting, written in 1832, the poet John Clare declares his love for the “poor persecuted weeds”  which, he points out, will still remain “where old marble cities stood.”  He composed the poem shortly after he, his wife and seven children moved to the village of Northborough (“this strange spot”). Although not far from his birthplace in the village of Helpston (“that old hut now left), he felt increasingly alienated, with bouts of severe depression. In the poem, simple weeds around his new home remind him of his beloved Helpston.

A farm worker himself, he wrote of shepherd’s purse:

E’en here my simple feelings nurse
A love for every simple weed
And e’en this little shepherd’s purse
Grieves me to cut it up – Indeed
I feel at times a love and joy
For every weed and every thing
A feeling kindred from a boy
A feeling brought with every spring.

And why – this ‘shepherd’s purse’ that grows
In this strange spot in days gone bye
Grew in the little garden rows
Of that old hut now left – and I
Feel what I never felt before
This weed an ancient neighbour here
And though I own the spot no more
Its every trifle makes it dear.

 

 

Pâquerettes

Pâquerettes

Pâquerettes, French for daisies (Bellis perennis), probably from Pâques (Easter), which is when they first flower – i.e. now. The monotony of local lawns shattered by these little stars, while the woodland upstart bluebells vie for attention in posher gardens, giving off a whiff of hyacinth and nodding smugly. “They’re beautiful when they first come out” said one neighbour (about bluebells), “but they look so ragged when they fade. And they stay like that for ages.” Not the pâquerette, which remains jolly, winking back at you, resisting the trampling of children and staying bright even when picked, bobbing in a glass, on the kitchen table.

 

Pergola: The Hill Park, Golders Green

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 This is supposed to be the longest pergola in London. But who can say whether that’s true or not?  Has someone measured all the pergolas? Does someone know how long this one is?  It IS long, and winds round corners. Probably a good few hundred metres. If this is the longest, which is the second longest? Or is this all apocryphal speculation? Why not leave the burden of proof to someone else and make the claim anyway? Not really my nature to do that…

Start of the day

Start of the day

Gardening tools at the start of a day in Golders Hill Park

I was out for a walk in the fog this morning, photographing the usual suspects: trees against a background of mist. Yet, with all the obvious beauty of the familiar cloaked in unusual robes, I was drawn to this half-hidden collection of gardening tools, laid out for park gardeners at the start of the day. Would each person have a separate task – raking leaves, digging, hoeing? Or would everyone get a go on everything?

For a few moments I felt a pang of envy.  I wanted to do one of those jobs. It reminded me of meditation retreats I’d been on, where some of the most enjoyable hours were those spent doing manual work outdoors, like raking leaves, or digging damp soil, listening to the birds and finding meaning in small things.

Don McCullin

In a documentary on BBC2, celebrated war photographer, Don McCullin, discusses some of the harrowing images of war and man’s inhumanity to man that still haunt him. He has turned to landscape photography as a way of forgetting.

I’m going to spend the rest of my life trying to eradicate [these harrowing memories]. I’m just going to photograph landscape. The English landscape is my heaven. But the one thing that upsets me about it is that there’s always a threat surrounding the things you love. When I hear a chainsaw in the distance, I think a tree is dying. When there’s pheasant shooting I think there’s going to be some blood somewhere. The gunfire immediately switches on another part of my nervous system. I feel that as much as you try to run away from these things, someone always presses a button and says ‘here’s a reminder of what you used to do.’

Towards an Iron Age hill fort, Somerset, 1991. Don McCullin
Towards an Iron Age hill fort, Somerset, 1991. Don McCullin

 

 

sights and sounds

ImageOn a  walk around Kenwood this morning, the repeated notes of a song thrush were, for once, the first I heard, rather than the squawking of ring-necked parakeets that has started to dominate the birdsong in the woods around here.  The ribald laughter of a green woodpecker interrupted  the caws of carrion crows and  descending song of a chaffinch. Familiar sounds that seem  at home here among the old oaks and beech trees. But there are human parakeets today, dressed in fluorescent lycra, sweating as they jog or wade like space-age shepherdesses among flocks of spaniels, poodles and grinning labradors.

Far off sounds of an aeroplane, an ambulance siren.  By a pond, what I think is a fisherman under a large green umbrella turns out to be a homeless person lying on a sun-lounge, his bald head emerging from a sleeping bag. And in a car park in the Vale of Health, fairground people live in caravans called Monza and Barracuda, next to a jolly painted cart advertising Happy Falafels, in the shadow of bankers’ houses.

Vivian Maier

Extraordinary documentary on BBC2 last night about Vivian Maier, a nanny living in New York and Chicago who took stunning photos with her Rolleiflex. She never showed them to anyone, never exhibited them, never had any fancy prints made. She stored them in containers in a warehouse – tens of thousands of prints and negatives. They were only discovered when, in old age and without her job, she could no longer pay the rent for the storage space.  The contents were sold as job lots to a couple of dealers for a few hundred dollars. They didn’t know what they were buying…

Her website: http://www.vivianmaier.com

The BBC Imagine documentary is on iPlayer this week:

http://www.bbc.co.uk/iplayer/episode/b0366jd5/imagine…_Summer_2013_Vivian_Maier_Who_Took_Nannys_Pictures/

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midsummer

The longest day of the year / summer solstice.  There was a slight mist over the lake at Kenwood this morning, more reminiscent of Autumn. And it’s dull, shadowless. The sun is somewhere else today, not in London. Nine years ago on this day I was living in the Perche, a beautiful part of lower Normandy in France. A 15 minute car ride away was a 600 year-old oak tree, with a trunk that was over 4 metres around. I got up very early and stood under the tree waiting for the sun to rise, hearing owls hooting and little rustlings on the ground, realising how vulnerable small creatures like voles and mice are to hunting birds at night. The sky started to fill with light several minutes before the sun finally appeared in the east. It lit up a bead of water hanging from one of the oak leaves, silhouetted against the sky.

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Endangered species

Following on from the swift sightings, I realised a few days ago that  telegraph poles have almost disappeared from the landscape, at least in London. It was common, when I was growing up (in Buckinghamshire) to see swallows lined up along the telephone wires – a photographic cliche.  This pole with its radiating wires, one to each house, now seems like an anachronism. 20130509_1264_small